About Me

“No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.”   ― Ansel Adams

 

“You don't take a photograph, you make it.” 

― Ansel Adams

 

“Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships.”   ― Ansel Adams

I suppose Mr. Adams was being somewhat presumptuous with that last quote, but then again, he was arguably the greatest landscape photographer in history.  I, however, can only hope to live in his shadow, so all I can say is that dodging and burning are steps to take care of mistakes I made in establishing tonal relationships.

I'm a Husband, Father, Grandfather, Teacher, Photographer, all combined into one package.

 

Although my training is in theatrical lighting design, photography is my passion. There are few things I enjoy as much as spending my life looking through a viewfinder.

 

I shoot portraits – both corporate and personal – as well as architectural, events, and extreme sports.  But I also shoot landscapes and wildlife, both in Oklahoma and across the western US. I prefer to capture nature as it exists, using very little manipulation in producing the final images (the aforementioned dodging & burning notwithstanding).

 

My first exposure to photography -- as the photographer -- came in the 5th grade when my mom allowed me to take her pride and joy – a Kodak Brownie camera -- on a school field trip.  When the rather tiny 3x5 prints came back from the drugstore a week later, it was like magic.

They weren't great photos by any means, but they were photos I had taken, images that I had created, captured forever on those beautiful little prints. That one small adventure had ignited a life-long love of the art and craft of photography.

 

The first 35mm camera I owned was a Single-Lens Reflex from Sears, Roebuck, & Co.  Not only was the lens a fixed focal length, it was a fixed mount – it wasn't interchangeable.  But I was a 15 year old high school kid. What did I know?  From there, I graduated to a Miranda Sensorex, which did have interchangeable lenses.  I wanted a Nikon, but I was still in high school, and there weren't too many high school kids who could afford Nikons. In 1979, I finally got my hands on my first Nikon camera – an FM – and a couple of Nikkor lenses.  And I have been a dedicated, if not rabid, Nikon shooter ever since.  I simply don’t think they can be beat.

 

Eventually, I owned 2 FM bodies with matching motor drives, which served me well into 2004, when I went digital with the purchase of a Nikon D2h pro DSLR body.  After a short time, I added a second D2h body to my collection, and in 2014, moved to a D800, then added the incredible D810.  I still shoot with nothing except Nikon Nikkor lenses.  My current list included a 14-24mm f/2.8, a 24-70mm f/2.8, a 70-200mm f/2.8, a AF-S NIKKOR 500mm f/5.6E PF ED VR, and a 28-300mm f/3.5-5.6. There is a Nikon 1.4x AF-S Teleconverter TC-14E III in the kit as well. 

 

While I do shoot with the best Nikon has to offer, I shot for a long time with a couple of old Ai-S lenses, specifically a 400mm f/3.5 and 600mm f/4, which I used primarily for wildlife, kiteboarding, and other sports photos (although I've been known to shoot a landscape or two with the 400!).  I found the glass incredible, and the lenses a dream to shoot with. Those long lenses are especially sharp.  Unfortunately, my aging eyes and reflexes are making it more and more difficult to get and keep accurate focus, especially on moving subjects, so I have sold them and replaced both with the new 500mm f/5.6 PF, an absolute wonder of a lens.

 

In addition, I have fallen in love with the concept of using shoe-mount speedlights on location, as if they were big studio strobes.  You can learn more about it by visiting his website, as well as the websites of Nikon Ambassadors Dave Black and Joe McNally. These guys are masters of the art.  They are also teachers.  They both conduct workshops, but they also dispense knowledge and wisdom freely to anyone willing to take the time to soak it up.

 

Enjoy the photos. 

 

If you have questions, or just want to chat about photography in general, you can contact me at don@donrisi.photography or on Facebook

Oklahoma Freelance Photographer
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Don Risi

Photography
Oklahoma City 
 

Corporate, Commercial, Fashion, Headshot Photography

Based in Oklahoma City, able to travel anywhere in the continental United States

Using Nikon Cameras and Lenses exclusively since 1979.
Proud member of Nikon Professional Services

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The entire contents of this site and any and all other sites under the name of Don Risi, are © 2018 Don Risi.

All photographs on any of Don Risi's websites are © Don Risi unless otherwise noted.

 

Copying, printing, direct linking, or any other use of any of the content in any of Don Risi's web sites,

including photos, descriptions, or any other content, 

without expressed written consent of Don Risi, is prohibited.

All rights reserved.

Don Risi may be contacted by following this link,

or by calling him at (405) 850-5603.

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